Get an Earful of Your Bottom-end Output Phil Jones Bass' Ear Box was designed to cut the complexity of onstage bass monitoring, a feat often plagued by muddy reverberations, acoustic interference, and uneven sound distribution. A cross between a true stage monitor and headphones, the Ear Box was made to rest at ear level, producing nearfield projection to grant bassists an authentic representation of their output without sacrificing the rest of the band's sound. An onboard 5/8-inch adapter easily affixes to your pre-existing microphone stand, and its lightweight build is a cinch to move around once onstage. Plus, its 2.4-pound build makes it easier than ever to transport in your favorite gig bag or roadside backpack. Sweetwater bassists are especially pleased that the Ear Box's high impedance means little to no load on your amplifier, making it a seamless addition to any size rig with zero worry of electrical interference.